The Piano Lesson Isn’t A Perfect Movie, But It’s A Moving Piece On Generational Trauma

The streaming wars have been in full effect for years, with new streaming content arriving every week as various services compete for supremacy. Those with a Netflix subscription will soon be treated to the film adaptation of August Wilson’s The Piano Lesson. And while it’s not a perfect movie, I found it to be a moving meditation on generation trauma.

Denzel Washington is a producer on The Piano Lesson, and famously originated the role of Boy Willie Charles. In the film that role is being played by his son John David Washington, and I had the chance to see an early screening at the Hamptons International Film Festival. I thought that the film’s pacing and runtime were a detriment, but was still taken by the way Malcolm Washington’s film portrayed the complexity of generational trauma.

In recent years there’s been much more of a conversation about the way that trauma can be passed down from parent to child, or even generations down the line of one’s family tree. And folks have particularly been getting educated on the way racism and atrocities like slavery have emotionally affected the Black community now.

Sam Jackson looking down in The Piano Lesson trailer

(Image credit: Netflix)

The Piano Lesson is set in 1936, characters like Boy Willie and Berniece are even closer to their ancestors that were slaves. The stunning carvings on their heirloom piano literally bare the faces of his family’s faces and stories. And their debate about whether or not to sell the piano for a profit offers two very different perspectives on that type of generational grief. Is it better to honor the past even if its painful, or to move forward and upward?

Leave a Reply

Your email address will not be published. Required fields are marked *